The Daffodils by W.Wordsworth and Miracle on St.Davids Day by G.Clarke Essay Example for Free

The Daffodils by W.Wordsworth and Miracle on St.Davids solar day by G.Clarke EssayForm and meaning of The Daffodils by W.Wordsworth and Miracle on St.Davids Day by G.Clarke. Pre and Post C20th Poetry Comparison.W blowiam Wordsworth wrote the verse form The Daffodils in 1804, deuce years later subsequently his feature with the Daffodils. The rime Miracle on St. Davids Day was create verb alto learnhery by Gillian Clarke around 1980. Miracle on St. Davids Day was written sensation hundred and seventy-six years aft(prenominal) The Daffodils was. The numberss atomic number 18 rattling similar in the way that they both imagine interchangeable songs, having a unfaltering structure. In Miracle on St. Davids Day each stanza apart from the farthest oneness has pentad spots that ar exclusively ab divulge the same length.In The Daffodils each stanza has six contrasts that ar in e actually last(predicate) ab place the same length. The poems are different in the way that Miracle on St. Davids Day was written like a story, sentences starting in one stanza and finishing in a nonher. Also this poem does not rhyme, it looks like a poem just sounds like prose. The Daffodils is written as a poem with a regular rhyming grade. Line one and line tierce rhyme, line twain and line quaternity, and line five and six are a rhyming couplet. This is regular doneout the poem. Both poems are similar as they are unbent becomes of the writers, and they are written in Modern English. Also the poems are both narrative poems.William Wordsworth was innate(p) in 1770, an eighteenth century ro objet darttic poet. He described his poetry as emotion recollected in tranquillity, and that remembering is the key. Gillian Clarke was born in the twentieth century and is still alive today. G. Clarke is modern contemporary poet. Wordsworths inspiration for The Daffodils was trammel itself, the sentience and feeling of spring around him with so cosmosy numerous d affodils. Wordsworth allowed himself to be inspired by the lulu of personality and the magic of all year nature dying and freezing over and indeed orgasm to life and being re-born again. Wordsworth became caught up in the moment of his real life experience and postulateed to sea tangle and treasure it, so he wrote and feelings down on paper. In Wordsworths time you were either poor and laboured working, or wealthy with not much to do.Wordsworth had not much to do, so he generateed his vagary to write poetry to fill his spare time. With having spare time and no need to be anyplace at a certain time, he explored nature and learnt to a greater extent about the happenings of nature, which as a poet he respected, and he recorded his give outies and emotions on paper. Clarkes inspiration for writing Miracle on St. Davids Day, was her personal experience when visiting a intellectual institution.She was reading poetry to the insane, which happened to awaken a enormous, repres sed fund in one of the patients, whom recites a poem from the days of his youth, forty years ago in a valley school, the class recited poetry by rote. This experience impressed so bulletproofly on Clarkes read/write head that she wanted to keep her repositing of the experience alive, telling the story for ten years to people before writing it in a poem. Clarkes inspiration was the spring of memory and the power of poetry. The sounds of her reading poetry to someone triggered a memory so hidden from long ago that I think she was shocked that it could have happened, and inspired her to write it in a poem.Wordsworths purpose in The Daffodils is to express his emotion to the closeorser, and make the ratifier feel the daffodils and become wooly-minded in a magical world of the beauty of spring just like he himself did. Wordsworth comprehended nature already solely wanted to get it across to the reader the moment of tranquillity and pacification of mind he had, surrounded by t he beautiful daffodils. Clarkes purpose in writing Miracle on St. Davids Day is to tell people about the incident that she witnessed and to show the power of poetry and memory. Clarke wanted people to capture that no matter how old the memory was or whether the person had a mental illness or not, as long as in that location was no memory loss, a memory hidden mystic in the covert of the mind can be awoken. Any small insignificant thing such(prenominal) as touch, sight, smell, sound or taste can awake it, and that memory is a very brawny thing.Wordsworths The Daffodils has quaternary stanzas in it. The content of stanza one tells us that Wordsworth is walking but and how he comes across the daffodils and w here(predicate). Beside the lake, on a lower floor the trees, they were blowing in the snarf.Stanza two is where Wordsworth makes a comparison of the beautiful sparkling daffodils to the stars on the Milky Way, which means that there were too many daffodils to count like th e millions of stars in the sky, And twinkle on the Milky Way, they stretchinessed in ageless line.Stanza three explains how content a poet can be amongst these daffodils appreciating their natural sparkling beauty for a poet understandably respects natural beauty and The Daffodils being a true experience for Wordsworth nauseatede it a more significant experience in his life. Also Wordsworth describes how the daffodils stand out from anything around them and that in all the daffodils are in focus, stopping any thought of any other(a) matter in his head. A poet could not just be gay, in such jocund company. Wordsworth did not realise what violence the sight of the daffodils had brought on him and I do not think he realised that he would be writing about them two years later. Obviously the daffodils stuck in his mind and frequently reminded him of his experience because he was writing about them two years later, and to write about them obviously satisfied his need to express to others the joy the daffodils brought to him.Stanza four is a memory of Wordsworth. He describes his situation of telling the reader in stanza one, two and three of the moment of the experience and stanza four is thinking about the impact of the experience. For oft, when on my couch I lie in s softwoodhful or pensive body fluidG. Clarkes Miracle on St. Davids Day, has golf club stanzas in it. The content of stanza one is a ataraxisate from the daffodils by W. Wordsworth. At first glance the reader is conf apply and thinks that it is a misprint on the poem, except then realises that is it connected with the poem in some later crape which makes the reader inquisitive and want to read on. They flash upon that inward eye, which is the bliss of solitude.Stanza two is an introduction to the mental institution scarcely the reader does not k instantly this yet, the reader just absorbs the information described to them in a detailed externalize which already mentions daffodils, givi ng a connection between this poem and The Daffodils. An afternoon yellow and open-mouthed with daffodils. A submit is already in the readers head of a cordially, sunny afternoon in spring somewhere in a forest where there is a lot of greenery and a large country suffer hidden from view, peaceful and graceful.Stanza three is the writer and the narrative voice, Gillian Clarke, describing what she is doing. She tells the reader that she is reading poetry to insane, so we scoop out that she is in an establishment and not the beautiful, tranquil country house the reader first thought it was. Clarke in stanza three also starts to describe a few of the patients there to the reader. A beautiful chestnut haired son bewaresStanza four is an extension of stanza three. It carries on to describe another patient, a woman at the institution, who is not mad or disturbed as people might think you would be in a mental hospital. She is just mildly mentally absent. She does not dream, or think, o r feel, the woman is absent in mind but present physically. In her neat clothes, the woman is absent.Stanza five is also a continuation of stanza four these three stanzas are all connected. It goes into detail about a certain patient, described as a labouring man. By going into more detail about this patient, the reader thinks that he is a main(prenominal) character or volitioning play quite a large role in the rest of the poem. This poem interests the reader to read further.Stanza six tells us that this patient has never spoken. The huge and mild man stands up to recite The Daffodils. This is where stanza one is linked with the poem. This stanza tells us about the miracle that happens. The miracle is that a man in a mental institution, who has not spoken for a long, long time, is suddenly threadd to speak by the power of an awakened memory. To the staff it does not seem such a miracle, as they know that he is an nonappointive mute.Stanza seven is about the nurses and the resi dents at the institution and the whole of natures reactions. It also describes the man who is reciting The Daffodils and how well he recites it after years of not speaking. The nurses are frozen, alert the patients seem to listen.Stanza eight is an explanation of how he came to know the poem The Daffodils and wherefore he needed to speak it. It is a trip back in time and a reason for his being in a mental institution. The man came to know the poem, forty years ago, in a Valleys school, the class recited poetry by rote. His reason for being in the asylum is, since the denseness of harm fell he has remembered there was a music of terminology and that once he had something to say. This also explains why he spoke. He had a memory woken inside of him by the narrative voice reading to the insane.Stanza nine finishes off the poem, as so does the man. on that point is a silent, still moment throughout nature and from the listeners at the mental institution, before the applause, we obse rve the move rateers silence. at that place is a moment of silent appreciation throughout nature and humanity.The structure of The Daffodils by William Wordsworth is in four fair to middling stanzas. They each have six lines of similar length. The stanzas all look like each other. This is a regular structure. Stanzas one and two have complete sentences but stanza three and four have lines linked with a break in the mettle. The rhyming pattern of the Daffodils is that line one and line three rhyme and line two and line four rhyme, and line five and six are a rhyming couplet. This is the regular rhyming pattern that continues throughout the rest of the poem. The poem looks even and neat on the page and has straight send on understanding looking verbiage. The regular rhyming pattern starts in with the simplicity of the event and is a common experience shared by all. Wordsworth has shortened actors line to make to make them fit in with the flowing of the poem. This brings the st ructure together and neatens it to make it more readable. For oft, when on my couch I lie oft is the shortened version of often.The structure of The Miracle on St. Davids Day by G. Clarke also has a regular structure but is quite different from the Daffodils. It has eight stanzas all equal in size. They all contain five lines all of similar length, apart from the very sound stanza that has only three lines containing the conclusion. When hes done, before the applause, we observe The poem is non-rhyming but flows, by one sentence starting on one line and running onto finish on the next line, such as, A big, mild man is tenderly ledto his chair.This pattern helps to reveal the stages of the miracle because it flows and looks like a poem but sound like prose. This poem is a narrative poem. The narrative voice is Gillian Clarke as it is revealed to the reader that she is there herself telling the readers about her experience. I am reading poetry to the insane. The final stanza leads up to Clarkes final meaning of how a distant memory can be triggered by anything small or large, showing the power of memory. Forty years ago, in a Valleys school, the class recited poetry by rote. William Wordsworth is the narrative voice of The Daffodils as it is revealed to the reader instantly, I wandered lonely as a cloud. This tells the reader that Worsworth is telling the reader about his experience.The style of The Daffodils is peaceful and tranquil. The mood is deed dreamily straight away with an image of floating. I wandered lonely as a cloud that floats on high oer vales and hills. It has a romantic style for Wordsworth was a romantic poet, emotion recollected in tranquillity. Wordsworths crys flow and run like a song with many images being displayed in front of the readers eyes all at once. Beside the lake, beneath the trees, fluttering and dancing in the centering.This rhyming style sounds like a song and creates a summer picture of sun glittering on a lake with a so ft flake of shade over it from the trees that are gently waving about in the soft and warm breeze in the readers mind. The style of The Miracle on St. Davids Day is completely different to the one of The Daffodils. It changes rapidly. At first it is warm and welcoming, the setting of the poem. First the reader is outside the building admiring the scenery, then the quickly moves to the inside of the building to discover the buildings true nature. The mood is then changed, slightly tense. The poem style is confusing, as there is a lot of a contrast utilise. Clarke contrasts the look of the patients to their mental illnesses. She has already referred to them as the insane.A beautiful chestnut-haired boy listens whole absorbed. A schizophrenic. This contrast is quite strong and obvious. The reader imagines a beautiful boy in every way, a good child, normal, content and happy. Then it instantly changes, he is a schizophrenic which changes the readers perspective of the child, as on th e outside he is a perfect boy, almost angelic, then we see the inside, corrupted and ruined of any normality.The language of The Daffodils is in Modern English although some dustup have been shortened to fit in with the rest of the poem. For example Oer , means over. That floats on high oer vales and hills. Antiquated vocabulary is also used such as glee and jocund. The English is very straightforward, using both modern and antiquated vocabulary.Stanza one begins with a simile. Wordsworth likens himself to a cloud that is driven by the wind over which the cloud has no control. present he is telling the reader about his mood and feelings and behaviour in that present moment. His mood is undirected as his feet were driving him in a directionless manner. He just felt a force taking him and a need to wander. I wandered lonely as a cloud. The simile creates a vagrant mood. there is then a strong ace of immediacy, all at once. Wordsworth draws the reader in with at once and the read ers attention is riveted. There is a great deal of imagery in the first stanza. assemblage and host, both convey a very large number or a numerous amount. In the next line the reader discovers what the crowd is. It is described vividly to the reader with a rich, luxurious and vibrant feel, golden. There is also a religious quality in a host of golden daffodils. A picture is created in the readers head of the golden daffodils glowing and highlighted to stand out from the rest of the world, as if from the heavens. It is like a host of angels. There is a strong assonance in stanza one, the repetition of the vowel sounds ee creates a sense of accomplishment beside, beneath, trees, breeze. The reader hears a beat, a rhythm creating a sense of the flow of movement and swaying of the daffodils. There is also an ing sound in stanza one that creates a more bouncing effect fluttering and dancing. This gives stanza one a song like quality.Stanza two opens with a simile and a comparison. Words worth compares the daffodils to stars, which stretch endlessly to the human eye. Wordsworth compares the numbers of the daffodils to the vast amount of stars. Continuous as the stars that shine, this means that the daffodils continued beyond the reach of his own eyesight so that there must have been thousands of daffodils or more. They stretched in constant line.This conveys an infinite number, enthralling the reader. Wordsworth then gives elevated imagery, stars that shine and twinkle on the Milky Way. This gives the imagery of the daffodils relinquish a ray of golden light around them, giving a magical feel. Wordsworth then makes a personification, Tossing their heads in sprightly dance. Only something that is alive could dance or toss their heads, so he points out the amount of life in these daffodils. He makes them full of life with vivid movement, sprightly. This is a lovely word to describe the behaviour of the daffodils, and conveys that they are full of movement and spring . The mood is warm, relaxed and light with a romantic atmosphere.In stanza three an image of the whole of Nature alive is presented to the reader, the waves beside them danced. This is the waves of the lake beside the daffodils, leaping about driven by the wind as if dancing to compete with the beauty of the daffodils. This is also a personification of the waves dancing. The mood then changes by the word but, making the reader expect something. After all the describing of the magical and romantic atmosphere, the reader feels demoralized that something is going to change the whole mood of the poem. The reader then discovers that nothing terrible happens but the but was only to shame the waves, as the daffodils were more effective than the waves out-did the sparkling waves in glee. This means that the daffodils bettered the waves.The atmosphere is now light and fantastic again, glee meaning merriment and cheerfulness. There is a colon in the middle of stanza three indicating a pause, which continues with Wordsworth commenting on his feelings and actions at the present moment. I gazed- and gazed- but little thought. The hyphens slow the line down by breaking it up gradually, this gives the impression of thought to the reader. By doing this Wordsworth indicates the end of the description of the daffodils. There is also a fable in this stanza, what wealth to me the show had brought. The wealth in this stanza is a metaphor for the lasting measure of the experience gained by the sight of the daffodils and the emotions that they brought.Stanza four is at a later time, indicating that the poem was a memory flashback. The reader knows this from the first line of the stanza. For oft, when on my couch I lie. It is a disapproval of the experience by aspect oft which means frequently. The next line creates an empty mood, far away, rootless and dreaming. This tells the reader of Wordsworths longing to be back in that experience. The mood and atmosphere is quite strongly throw away forward to the reader with vacant or in pensive mood. This means absent and dreaming, inattentive and unexpressive but with a thoughtful frame of mind. This shows Wordsworths mood of leaving the world far screwing him and nerve-wracking to enter an ageing memory of an uplifting experience. Stanza four has a special meaning. It is a time in Wordsworths life when he is having a retrospective view of his experience, which is so emotionally overwhelming to him that it has created an extremumly long lasting impression in his mind.Wordsworth sums up his feelings from the experience in the last stanza they flash upon that inward eye, here he is saying that the vision of the crowd of daffodils is branded on his imagination for the rest of his life. This brings great enjoyment to him, which is the bliss of solitude. By using the word bliss, Wordsworth expresses his emotion of complete happiness. It is a religious and holy seem word making the experience sound even more unre al and magical. solitude, meaning being alone completely with no-one near you at all, tells the reader that this experience was completely personal to him and special, and only he allow ever know the true wonder of it even if he describes is as best as he can to others and then my heart with pleasure fills.This is a personification as there is an image of a vase being filled to the brim with pure joy. Also there is another personification in the last stanza, and dances with the daffodils. It is a further personification of a lively person who dances. In this last line Wordsworth is saying that his heart is dancing with the daffodils. Daffodils do not dance, but to Wordsworth they exude life, joy and radiant beauty. Wordsworth is deeply go by the sight of them and he feels that his heart has gained a new lease of life and that he will look on everything about life and living in a new manner now. The last three lines of stanza four create an angelic and heavenly mood.In The Daffodil s Wordsworth is trying to ascertain the reader to advise the beauty of nature and to understand the power of memory. I also think that he is trying to teach the reader about how the effect of just one experience in your life can be so strong and tendinous that it can be remembered as vividly as it was the day of the experience many years later.From the style Miracle on St. Davids Day it is revealed to the reader what this poem is about. It is obvious that a miracle is the main point of the poem, meaning something holy yet unexpected. We also find out that it happens on St.Davids Day, which might be of some sort of significance later on in the poem. Underneath the poem is an extract of a well-known poem. To the reader this is some sort of a misprint or mistake, but the author and title of the extract are given also, signifying no mistake. After a read through the reader finds out that it is linked with the fifth stanza, the labourers voice recites The Daffodils.The language of th is poem is in Modern English. It is descriptive, non-antiquated, meaning more modernise and less formal, and contemporary. It also has a narrative style. The vocabulary evokes spring, the asylum and re-birth. Examples of vocabulary evoking spring are used in the first stanza to set the scene. An afternoon yellow and open mouthed with daffodils, this gives the reader an impression of freshness, newness and spring, clear and open to the world. Growth and life is suggested in the description of a garden, among cedars and enormous oaks. Nursery shrubs, also suggests this.The vocabulary evoking the asylum is mainly in stanzas two, three, four and six. Immediately it is evoked in stanza two with the words insane and a schizophrenic. In stanza six the impression of the asylum is presented quite clearly with the nurses are frozen, alert the patients seem to listen. From this the reader learns that the place is some sort of hospital.The vocabulary that evokes rebirth is in stanzas one, five and eight with the reference to the daffodils, which are connected to spring and being born-again. The Miracle on St. Davids Day is in poetic prose to prove that it is a descriptive piece.In stanza one, line one, there is a personification, yellow and open-mouthed. This suggests that the sun creates an image of a bell make flower telling the reader of the afternoon speaking of spring. There is another personification in this stanza of temperateness appearing to walk along a path. the path treads the sun among cedars. A country setting where nature dominates is evoked in lines four and five. it might be a country house, guests strolling, the rumps of gardeners between nursery shrubs. The language and arrangement of it gives the reader an image of a place of contentment and relaxation. might be, strongly suggests that they are not guests strolling and it is not a country house setting. This interests the reader to read on further to discover the true nature of the guests.In stanza two images are created of the two characters presented to the reader. The first line of stanza two is a strong contrast to the harmonious setting created in stanza one I am reading poetry to the insane, is an extreme change of tone destroying the peaceful atmosphere. It is a short one line sentence, blunt and sharply in focus. It is what G. Clarke, the narrative voice is doing, proving that what she has written is from personal experience similarly to Wordsworth. G. Clarkes technique is contrast. She contrasts the look of the patients to their mental illnesses. In lines seven and eight an old woman is described as interrupting. Lines nine and ten describe a boy as beautiful and chestnut-haired and then further on as a schizophrenic.Stanza three describes a woman in her neat clothes but mentally absent. The womans description repeats the word not three times to emphasise her mental absence meaning her state of mind is not entirely there, sits not listening, not seeing, not feeling. It is key word emphasising the effect of the illness on the human psyche. There is a total lack of response to the poetry from the woman. The next two lines describe a man as a big, mild man is tenderly led, suggesting he is either stupid or bovine or ox-like, lumbering but good-natured.Line eleven continues from line ten fitting in with G. Clarkes narrative purpose. By mentioning herself, the focus of the reader is brought back to the story telling mode. Line twelve contains a metaphor, in a cage of first March sun a woman. The woman is surrounded by a post of sunlight. She is caught in a cage, which is the asylum and her mental illness. This is three different ways of being trapped emphasising her situation. In the last line of stanza three, the subject of the miracle is introduced although the reader does not know this yet. The sentence is unfinished naturally ahead(p) the reader on to stanza four and on with the story.Stanza four continues the sentence begun in stanza three. Imagery is created by the big, dumb labouring man as he rocks. A large imapct is presented to the reader with big and dumb is a large impact conveying contrast of his mental and physical state. In the first line of stanza four the reader discovers that this patient has never spoken, but later we find out that he can and is thusly an elective mute. Line twenty has blunt, shorter words that describe him very well. His psychotic behaviour is presented to the reader with a rocking rhythm created throughout the stanza, repeated. He seems content with the rhythms of the poem, by the image of rocking. His labourers hands on his knees, he rocks. ..to the big, dumb labouring man as he rocks. Rocks is repeated twice in the stanza so that a movement is created in the stanza and to emphasise his mental condition. There is also an oxymoron in this stanza, I read to their presences, absences.It is two face-to-face things put together. Here the patients are there in physical state but not in a me ntal state.Stanza five introduces the beginnings of the miracle with an alliteration. He is suddenly standing, silently. These are quiet but powerful words giving the thought to the readers head that something of extreme importance to the poem is going to happen. The reader has already perceive of the man as big and mild but now he is huge and mild, now that he has stood up. He is quite a presence, but from the repeated word mild, we know that he is really a gentle giant. Although he sounds a gentle giant his presence is intimidating. The impact of him standing evokes a sense of fear in the poet, but I feel afraid. Huge and mild are straight forward language but give a large impact. There are two similes in stanza five, resembling slow movement of spring water, creating the image of after winter, snow and ice have almost all melted and it is slow and heavy, trickling down a hill side. Images of light and dark are created with the first annulus of the year in the breaking darkness . This tells the reader that the mans voice is coming out of the darkness. His voice is being reborn or regenerated symbolising the whole newness of spring.Stanza six is the response or reaction to the reaction of the poem, from the staff, the patients and the whole of nature. The nurses are frozen, the nurses are shocked and in amazement to the reaction that this man had to the poem. The nurses are also alert, because this is a very unusual occurrence and they have to be alert and ready to act in any medical capacity needed. The other patients also seem to listen for once, being attentive and showing recognition of the miracle. There are two halves to the poem from different sides of the reaction, the patients reaction and the staff. He is hoarse but word-perfect, this tells the reader that he has obviously not spoken for a very long time although there must be some reason for this. His voice is croaky from the lack of use of it, but his memory is very powerful and he has not yet f orgotten any of it from his days of youth.Nature outside also seems to listen to the mans recital, outside the daffodils are as still as wax, they are awake, attentive and listening, but somehow they look like they have been carved, awakening daffodils from long ago. Their syllables unspoken, show that nature waits for the recital of the poem to end. The daffodils symbolise spring and rebirth, in many forms. The rebirth of the mans voice. There is one personification at the end of the stanza, their syllables unspoken, suggesting that the daffodils can speak. There is a reference to The Daffodils in stanza six ten thousand, stating the amount of daffodils outside there are, which are the study words used in The Daffodils by Wordsworth.Stanza seven is a flashback of the mans youth and how he came to learn the poem that he recites. The flash back offers an insight or explanation of how he is able to stand up and recite the poetry. There is one metaphor in this stanza, a music of speec h. A music of speech is a voice inside of him with a very strong force and the power of memory needing to get out and tell others of this force. Music is symbolic for harmony and now once more the man is in harmony with himself, between his vocal chords and his intellect. The inner harmony within him shows the importance of poetry on the soul. This stanza emphasises the effect of nature on us all and the power of nature on the human psyche.Stanza eight is when the silence, tranquillity and attentiveness throughout stanza six, seven and eight, breaks. The man finishes the recital and the patients and the staff firstly observe natures attentiveness and then the applause comes telling the reader that the change in nature during the recital did not go unnoticed.When hes done, before the applause, we observe the flowers silence. The end of this line is a personification of the flowers being able to listen and change their mood by choice, the flowers silence. A thrush sings, tells the re ader of how the atmosphere changes and nature goes back to normal. It also suggests to the reader that this was the expected miracle, permanently changing the mans life for the better. It seems that the mans illness has either been taken away by some angel of nature or has taken a new extremely unexpected turn. The last line contains a metaphor, the daffodils are flame, giving the reader an image of heat, power, intensity and life. The daffodils are alive and have awoken from the dream or other life whilst they were listening, just like the mans mental state.Clarke was trying to teach the reader that the power of voice and poetry can be forever lasting in a strong memory, even if the memory is very distant it can be triggered. Learning a piece by heart, once engraved on the brain may never be lost. Many things can unlock this memory but in particular the power of nature, voice and poetry can recall it most strongly. Even if mentally ill a memory can be recovered and even sometimes a memory lost long ago with the help of nature, can even cure an illness bringing the person back with their mental and physical state.I have learnt a lot from studying these two poems. The poems are completely different and contrast in many ways, but they also link with each other also. I had not heard of either of the two poems before, although The Daffodils by William Wordsworth is quite a well-known poem. Both poems being new to me they were fresh and interesting. Studying these poems has taught me to appreciate the wonder of nature more and recognise the power of memory. I cannot say which poem I prefer as they are entirely different, but I probably enjoyed reading The Daffodils more, because it was light and dreamy with a bouncy rhythm to it. It also seemed more unrealistic which appeals to me more.My gruelling experience with nature happened last summer. I go out horse riding every weekend with a friend of mine in Brockenhurst. We spend the whole day exercising the horses a nd exploring the forest. One weekend we were walking along a track in the forest, we turned round to the right at the end of the track, into a clearing and we stopped straight away. In front of us, at the bottom of a extensive decreasing slope was a herd of deer. Right at the front of the herd was a albumen stag. He was proud, wise, noble and valiant looking with the golden sun adoring him, giving him a annulus effect.Everything seemed to be silent as if time had been stopped, we were in a moment all of our own. The sun was debacle down on us from behind us, as if to illuminate the stag and his herd. We just stared at the stag and he seemed to stare back. The stag held our gazes, which seemed to last forever. He then proudly turned around and walked through the centre of the herd into the dark and shaded forest. He did not turn his head, but the rest of the herd walked behind him as if trying to match noble quality but none succeeded. I will never forget that, as I had never see n a white stag before and probably will never again.